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Showing posts with label word choice. Show all posts
Showing posts with label word choice. Show all posts

Tuesday, September 24, 2019

Tuesday Tips: Do you have the right time?

(Repost from July 2018 because I am finding it relevant yet again for a handy tip)

Are you sure?  Because quite a number of manuscripts that cross my desk don't.
  • Characters are noted as preparing for a birthday party in two weeks, but a month passes before the actual event happens.  
  • A court date is set for Monday, but the characters meet to discuss it the next Thursday.
  • The characters meet on Thanksgiving, kiss under the mistletoe on Christmas Eve, then sleep together a week before Christmas.  
Sure makes readers scratch their head and think, Huh?

One of the best things you can do for yourself and your manuscript is to print out a blank calendar page--weekly or monthly, even yearly depending on the time frame of your story--and keep it beside your keyboard as you write.  Jot down a quick reference note on the day the story opens and every time a day goes by or a time lapse such as "a few weeks later" are mentioned. Underlining, highlighting, or making main events bold also helps. (If you are anything like me, you'll have a cupful of colored pens beside your monitor, too 😍) 

Having a calendar to make notes on not only gives you a visual of the timeline and pacing of your story, but you will quickly find the holes that can happen, the gaps needing to be filled or validated to make the story flow appropriately.   As you revise, keep track again, maybe in a different color, to ensure new details, added scenes or pages, stay on target or show you where you need to revise again to ensure the timeline makes sense to your readers.

And if your story is to happen in a certain time frame, even better.  Jot down the start day and the end day, which now gives you a direct timeline to play with.  Fill in the main events, scratch them out, mark the days up again, and keep playing around with it until you find the natural flow of events necessary for an accurate time frame.

But what if I write by the seat of my pants, you ask?  Pansters unite--because having a calendar doesn't mean you have to know every detail right away, that's why you keep the page beside your computer, so as the creative juices flow and you twist and turn your plot and characters, you can make quick notes on the calendar page, too.  Then, when you look at it after the first draft, you have the perfect visual reference guide to assist you in making those decisions needed for revisions, those fine-tuning details that really bring your story to life...and on time.

A search on Google for free calendar pages will produce loads to choose from, or simply draw up a blank template of your own.

Whether you are a planner or a panster, it's a good idea to have blank calendar pages in your writer's toolkit to pull out before beginning each new manuscript.


©bystacydawn


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πŸ™‹Don't forget to check out my links on the side to pop on over and visit me on Instagram, Facebook and Twitter!




Wednesday, February 06, 2019

Don't Make This a Passive Year!

Let's start Writing Wednesdays this year on a strong note...by getting rid of those passive verbs that make your manuscript Telling.

The trick is to let your character Show the scene through his/her specific experience of the moment, and part of this is using stronger verbs to mirror the tone so as to pull the reader into the experience with your main character.

Now remember, the first draft is just that, a first draft....let it all out and who cares how it reads or what specific words you use. THE most important thing about the first draft is that you get the story out of your head and onto the paper/computer screen--because there is a good chance it won’t ever get written if it stays in your brain while you try to get it “perfect.” Trust me, I know because I am sooooo bad at doing that.

“The first draft is just you telling yourself the story.” 
~ Terry Pratchett

It is when you are revising that you want to start layering in details for the reader, choosing specific word that will paint a vivid picture, deepen your characters, and bring out a fully rounded story.

"Was" before an "ing" word is the biggest red flashing light you want to look for to revise the Passive out of your manuscript. To be clear, it is not wrong to have some of these type of verb phrases; you just don’t want to only have them, or have a large percentage of them, as it will lend to a Telling read. You  want to make sure you have sought out and assessed each instance to ensure if they are valid or could be stronger.

Let’s see a few examples in three different ways—Telling/Passive, the Better choice, and a Stronger version, which could Show more specifically the experience of the character in that moment:

Telling/Passive: was walking
Better: walked
Stronger: strolled, meandered, hurried, scurried, strutted, sashayed—each one gives a very different experience of the moment, and using the right word to mirror your character’s mood/perception at that time will strengthen the overall tone of the scene.

Telling/Passive: was eating
Better: ate
Stronger: gulped, chewed, chomped

Telling/Passive: was thinking
Better: thought, considered
Stronger: studied, mused, contemplated, worried

Again, occasional use of the passive can work, but when the goal is to draw your reader into the moment, a more descriptive verb that mirrors the tone of the scene  paints a moment they can experience with your character.

Try it in your own manuscript by doing a Find search for "ing" on a few pages at a time and see how many passive verbs you can strengthen.

Keep passive writing back in 2018.  Let's make 2019 a strong and active writing year! πŸ˜‰




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Visit me on social media and at my website ~ links on the side ➹πŸ’Ÿ


Wednesday, September 19, 2018

Keep your goals close


I recently made this goal poster and stuck it right to the side of my computer (a couple weeks ago now I guess, as you can see I have changed the look of my blog again 😁)

Goals themselves are very important--you need something to work toward, a way to measure your progress, and hopefully inspire forward momentum.

But over the last few months, I have been trying to figure out why I always seem to circle in the not-quite-productive-as-I-could-be patterns over and over again, and it occurred to me that, though it is good to have goals and better to write them down, when too much gets in the way--family, work, health, life in general--it is easy to lose track.  Not necessarily forget, but sort of shuffle the ideas and even notebooks to the side, piled under the bills and report cards, newspapers, and grocery lists.  Know what I mean?

And that brought me to the realization that goals need to be VISIBLE, somewhere they can be seen EVERY day.

So, one of the big "ah ha" moments came when I remembered seeing this type of sheet on an Instagram feed sometime last year. (If you know where it originated or are the originator, just let me know and I will happily shout out credits and links!)  I liked the sticky-note idea so as each goal is accomplished, new ones can be added, to keep progressing and growing.  And this time, I set it front and centre.

I am at my computer more often than not six out of seven days a week as I edit at night after the day job.  Having the goal poster right in front reminds me of what I am working toward, reminds me not to overwork one area (usually editing) but instead stop and give my own goals twenty to thirty minutes a night, too.  It is not about spending gobs of hours on your goals, but simply doing something toward them every day--writing for twenty minutes while the chicken is in the oven for dinner, or for the last twenty-minutes before I shut my computer off for the night.  Getting up halfway through editing to take a walk in the lovely evening rather than "powering through" and not leaving the seat for three hours straight--my knees are NOT happy when I do that!  The goal sheet is a great reminder to put on a timer so I don't get lost in the work or in my own head, which are two of my worst habits where self-care is concerned.

And don't think you have to have something like the picture above, that's just the need of the artist part of me.  Even a simple sticky note with your goal(s) in big letters and tacked to your computer will benefit you, remind you physically of what you are working toward, and get you there sooner rather than later.

Practice makes progress, right?

Give it a try, and feel free to let me know how it works for youπŸ˜‰


©bystacydawn
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πŸ™‹Check out my links at the side to visit me on social media and at my website! πŸ’Ÿ



Sunday, September 09, 2018

And you ARE amazing!





©bystacydawn
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πŸ™‹Check out my links at the side to visit me on social media and at my website! πŸ’Ÿ



Wednesday, June 13, 2018

Don't Look!



Seriously, PLEASE don't LOOK anymore.

Everyone has at least one pet peeve word, and every editor usually has a few. For me, one of my biggest is the word LOOK (and its variations).

It's not that the word can't or doesn't need to be used on occasion; the issue is that it doesn't reveal anything at all--no descriptive, no emotion, no tension, no experience.  All Telling, no Showing.

For example, what exactly is happening in this sentence:

David looked at Emma.

Why is David looking at Emma?  How is he looking at her?  Is he happy to see her? Is he wary of her presence?  Is he scared of her or sad they have to meet this way?

Or this sentence:

She looked out the window.

What is she looking at?  How is she looking?  Why is she looking?  Is she excited at what she sees?  Does she actually see anything at all or is she just taking a moment to gather her thoughts?  Is she wary or tense or scared?  Mad, glad, sad?

If that many different scenarios can be thought of for one sentence, then you as an author are not painting your scene for the reader. 

Here are some examples of stronger variations:

David narrowed his gaze as he studied Emma's tight posture. 
or
David released his held breath as he turned to find Emma's glorious smile aimed right at him.

She frowned and stared out the window to the storm raging as fiercely as her emotions.
or
She cast her gaze out the window to soak up a moment of peace from the early morning sunshine sparkling across the lake.  

Word choices--verb choices--are extremely important to ensure a reader not only pictures your scene in vivid detail in their own mind, but to make them experience the moment with the characters.

Strong word choice can change a scene dramatically, so don't choose simple words like "look" that Tell the mere basics.  Instead, choose your words wisely to Show and engage your reader in the depth of your character in that particular moment.


@bystacydawn 2018